Riffs And Reviews: A Fond Farewell

It’s always tough to say good-bye, but it’s especially hard when it’s your baby.

As you’ve probably guessed from the title of this post, I’m retiring my blog Riffs And Reviews and saying farewell to all the wonderful followers and visitors who have made my time posting here such a joy.  You may have noticed a change or two I made over the weekend, especially on Twitter, that had you wondering if this is where I was heading.  Unfortunately, yes…but only because I’ve been doing a lot of thinking over the last few weeks about what I want to do with my time in the blogging world.

Working on both Riffs And Reviews and YA Book Crush has given me the opportunity to see that, while I love movies and tech and other random things, my true passion is with books.  Reading is my first love, and I want to focus my time and energy on the young adult/middle-grade books I enjoy so much.  So I’ll be spending my blogging time at YA Book Crush, reviewing the stories I’ve read and showing my excitement for upcoming releases.

I’ve met a lot of wonderful bloggers through Riffs And Reviews, and hope to meet many more through YA Book Crush.  Please drop on by and say “hi” sometime!  And to all you movie bloggers out there – don’t be surprised if you suddenly see comments and “likes” from a book blogger, because I trust you guys a lot more than those so-called “professionals” to point me in the direction of the best movies. :)

Au revoir!

Love and Murder Bind Past and Present in “Dead Again” (Movie Review)

Dead Again (1991) dvd coverDead Again (R)
(Mystery/Thriller)

Released: August 23, 1991
Starring: Kenneth Branagh, Emma Thompson, Derek Jacobi, Andy Garcia and Robin Williams
Directed by: Kenneth Branagh

3.5 stars (out of 4)

The story:

Mike Church (Branagh) is a L.A. gumshoe with a knack for tossing off wisecracks and tracking down missing persons. But Church doesn’t have a clue when he’s hired to help a beautiful amnesia victim (Thompson) tormented by blood-curdling nightmares. Then an eccentric antiques dealer and hypnotist (Derek Jacobi) leads Church to a startling discovery: The source of the nightmares may lie in a past-life connection to Margaret Strauss, a world-famous pianist allegedly murdered by her composer-husband…in 1948. (from the DVD)

Dead Again is a study in duality as a mystery from the past finds its way into the mind of an amnesiac in the present.   Actors Kenneth Branagh and Emma Thompson take on dual roles as a detective and his client in 1990 Los Angeles, as well as doomed lovers from 1948 whose marriage ends in murder.  I loved both parts of the story. In 1990 we have a mysterious woman with no memory of who she is or where she came from who is suffering from terrifying nightmares that have her screaming in the night.  In 1948, we have a whirlwind romance that devolves into arguments and accusations – and ultimately a vicious murder.  Both stories offer thrills, mystery and romance, but the 1990 setting gives us moments of quirkiness and humor while the 1948 one leans more towards the dark drama of a film noir.

The murder takes center stage right from the start with an opening montage of newspaper headlines from 1948 that lay out the case against Roman Strauss as he is put on trial for murdering his wife Margaret one night in their home with a set of barber shears.  From the beginning, however, Roman adamantly insists he is innocent and that someone else was in the house that night. As he is led to the electric chair the story shifts directly into the nightmares of an amnesiac woman named Grace and modern-day L.A., where fast-talking detective Mike Church is hired to discover who Grace is and where she comes from.  When Mike puts a missing person’s notice in the paper about Grace, he is contacted by antiques dealer Franklyn Madson (Derek Jacobi) who advises that he may be able to help discover Grace’s identity by using regressive hypnosis.  But Madson uncovers more than they bargained for when Grace’s memories lead back to that infamous murder in 1948.  Both mysteries are actually pretty interesting, as Mike and Grace work to discover her true identity while tiptoeing around a romantic attraction in the present and a story of love, anger and murder plays out in the past.  To emphasize the past and the present, Branagh utilizes color film for the 1990′s sequences and black and white film for everything in 1948, which is a nice touch.

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Trailer Notes: Monsters, Monsters All Around

So this week the newest trailers came out for two of the movies I am most looking forward to this year – and they look great!  Even better they are hitting theaters just one week apart, so August 2013 is going to be BUSY for me. :)  Let’s take a closer look at what’s in store for Percy Jackson and The Mortal Instruments fans when Sea of Monsters releases August 16th and City of Bones storms onto screens August 23rd.

*courtesy of Percy Jackson

Ok, so first thoughts:  umm, I don’t remember some of this stuff.  Now I’m not saying it isn’t in the books, because a good chunk of what I see in this trailer is right out of the story – the cyclops, the Oracle, the whirlpool monster Charybdis, the Golden Fleece, etc.  But I’m not remembering the cab; I think I need to do a re-read before this movie comes out!

As for the cyclops – yay! It’s Percy’s half-brother, Tyson, making his film debut. :)  Two things, though:  (1) I thought he’d be taller and (2) does anyone else think they used a design for Tyson that looks like an updated version of the cyclops from the 1983 movie Krull?  Either way, it’s great to see him here.

As a bonus, we finally get to see Stanley Tucci’s Dionysus, Nathan Fillion’s Hermes (did he lose weight?), and Anthony Head taking over the role of Chiron from Pierce Brosnan (I wish we had seen a little more of this character in the trailer).  We also have plenty of action sequences, some peeks at the special effects, and some touches of humor.  All in all, I’m very happy with this first look at Percy Jackson: Sea of Monsters.

*courtesy of Sony Pictures

Featuring even more action and dialogue than the first trailer from last November, the film adaptation of Cassandra Clare’s incredible young adult fantasy series The Mortal Instruments: City of Bones is looking fantastic.

It’s great to get peeks at Clary’s mom (that door smashing sequence…wow), Luke and the Institute.  But my favorite 1 second moment was my first glimpse of Magnus Bane at the 2:11 point – he’s looking GOOD (OMG, the eyes)!  I can hardly wait to see more of one of my favorite characters (although, we really don’t get a LOT of him until book three – “City of Glass”).

And what about that “The werewolves are here to save us!” line?  Love it!

August is looking hotter than ever with two bestselling franchises heading to the big screen – and I’ll be out opening weekend for both of them.  How about you?  Will you be seeing either of these movies in theaters?  

P.S. If you know a middle-grader who likes to read, hand them a Percy Jackson book – it truly is a fantastic series for pre-teens and up.  And for you fantasy/paranormal lovers?  Get thee to a bookstore and snag The Mortal Instruments series, as well as its prequel series The Infernal Devices – you won’t be sorry.

Foreign Affairs With Hollywood Flair in “Argo” (Movie Review)

In my continuing quest to catch up on those movies from 2012 that I intended to see in theaters – but somehow never did – I swung by Redbox to snatch up Oscar Best Picture winner Argo.  Did it deserve that Academy Award…oh, let me count the ways!

Argo 2012 movie posterArgo (R)
(Drama/Thriller)

Released: October 12, 2012
Starring: Ben Affleck, Bryan Cranston, John Goodman, Alan Arkin, Victor Garber
Directed by: Ben Affleck

4 stars (out of 4)

The Story:

On November 4, 1979, as the Iranian revolution reaches its boiling point, militants storm the U.S. Embassy in Tehran, taking 52 Americans hostage. But, in the midst of the chaos, six Americans manage to slip away and find refuge in the home of Canadian Ambassador Ken Taylor. Knowing it is only a matter of time before the six are found out and likely killed, the Canadian and American governments ask the CIA to intervene. The CIA turns to their top “exfiltration” specialist, Tony Mendez, to come up with a plan to get the six Americans safely out of the country. A plan so incredible, it could only happen in the movies. (Warner Bros.)

(1) An Exciting Story – I was very young when the Iranian hostage crisis occurred, but I still remember many Americans being glued to every little bit of news to come out of Iran regarding the hostages and how anxious everyone was to have them home.  I never realized, however, the smaller drama that was being played out around six individuals who actually made it OUT of the U.S. embassy in Tehran before it was taken over by the Iranians.  Of course, most of the situation was classified, but in Argo we are treated to the “only in the movies” drama that was going on to get these six people home.  Frankly, it is a d*** fine story that shows how the C.I.A. and the Canadian government (thank you, Canada!) worked together to keep these individuals safe (under the Canadian ambassador’s wing) and bring them home by creating a fake Hollywood movie as cover.  It is such a fantastic story, it’s hard to believe it’s real (actually, quite a lot was fictionalized for the film – but it’s still exciting as h***). If only Hollywood could create more original stories like this I’d be a happy camper.

(2) Great Acting – Every actor brings their “A” game to the table as this movie unfolds, with Ben Affleck in the role of C.I.A. exfiltration specialist Tony Mendez solidly taking the lead.  Sadly, his understated performance was not nominated for Oscar (frankly, I think it should have been him instead of Denzel Washington in that category).  There are always going to be flashy stand-outs, of course, and here they are Alan Arkin, nominated for his supporting role as producer Lester Siegel (a composite of actual people), and John Goodman as make-up artist John Chambers (an actual person), the two Hollywood insiders needed to help Mendez pull together a fake movie and make it look real.  Both of them bring verve and flair to their roles and each has one particular scene that pops – Goodman going over everything needed to pull this off while sitting in a restaurant with Affleck, and Arkin showing Siegel’s negotiating skills as he obtains the rights to the screenplay that will be the core of the sting.  Victor Garber did a beautiful job showing the stress underlying Canadian Ambassador Ken Taylor’s calm façade as he harbored the American fugitives (although I wish he had been allowed to show more of what the real Taylor actually did to pull this rescue off), while  Bryan Cranston was wonderful as Mendez’s boss, Jack O’Donnell.  I loved his frantic intensity as O’Donnell realized Mendez was going through with the operation and none of the pieces of the plot were where they needed to be.

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My 3 “S’s” of Music Streaming – Slacker, Spotify and Songza

slacker logo spotify logo songza logo

Over the last couple of months I suddenly developed an urge to sample several streaming music apps available for my Nexus 4 because, frankly, I was in the mood to discover some new artists to shake up my listening habits.  I’ve actually been a Slacker Radio Plus member for a few years now (dating back to when I had a Blackberry) and I really love the service, but I also wanted to see if there were any new contenders in streaming music to rock my world.  Pandora was already out of the running because of their switch from visual to audio ads; if I wanted to LISTEN to ads I’d just turn to regular terrestrial radio.  I also wasn’t willing to dish out the funds for Pandora One since I have been hearing a lot of repetition in my current stations.  So here is what I was looking for:

(1) A service that would give me the opportunity to discover new music and featuring as much diversity as  possible (i.e. a generous catalog of albums and artists);

(2) A service that would allow ME to choose a song, artist or album to listen to on-demand – not just give me similar artists and rotate my choices in at random;

(3) The ability to download songs, albums and/or playlists for offline listening (I probably should have put this at #1 since I listen offline at my desk at work for 8 hours a day.)

(4) The ability to stream some of my own music when I am in the mood, if possible.

Sadly, no one service covers all of these items.  After a couple of weeks of trial and error, though, I think I have a system that works for me.  I call it “The 3 S’s” – Slacker, Spotify and Songza.

I am a huge, HUGE fan of Slacker’s cache system – which in their recent updates has had a name change to “downloaded music” and is part of their subscription services.  Slacker is all about the stations: find an album or artist to use as a baseline and they will pull together a station consisting of similar artists in the genre that you can “fine-tune” with a “♥” to make a song a favorite (so you hear it more often)  or a “Ø” (to ban the song permanently from that station).  Since I’ve been fine-tuning my personal stations for a few years, they are just the way I like them with plenty of variety but also lots of favorites working their way into the rotation.  But Slacker also creates their own stations by genre that provide a great starting point if you just want to discover new music – and you can cache/download these, too!  And it is this last feature that keeps Slacker in my music stable; I like downloading multiple genre stations (Soft Hits, Soft Rock, Alternative Hits, etc.) for offline play that contain enough music for my workday with very little repetition.  If I had the Slacker Premium option, I would be able to have stations dedicated only to my chosen artists, or that played songs on-demand.  The one thing Slacker doesn’t do, however, is allow me to add my own library of music to the mix, which is why I haven’t dished out that Premium fee.  And that’s where Spotify comes in.

Spotify is also a subscription service and my most recent discovery; I am still working my way through its possibilities.  It allows me to create my own stations like Slacker by choosing an album, song or artist and then adding similar artists to the playlist.  I can also sync tracks from my own purchased music to the app for listening – which helps for those tracks that are not available for streaming through Spotify.  There are similar programs called Rdio and Rhapsody that are very similar to Spotify and can accomplish a lot of the same things, but they fell short when I tried to create a station around the epic music of Two Steps From Hell.  Type in “Two Steps From Hell” in either Rdio or Rhapsody and all four of their albums show up – but there are no similar artists listed.  Type it into Spotify and I see The Immediate, Future World Music, E.S. Posthumus, and other epic music artists/companies quickly listed as similar artists.  Even soundtrack albums for major games like Halo show up.  Perfect for artist discovery in one of my favorite genres.  Where it loses out to Slacker, however, is its inability to download these artist stations to my device for offline listening (or, if it does, I haven’t been able to find it).  It only allows me to sync playlists I have created myself song by song, which is not as user-friendly as Slacker’s station download options.

As an added bonus to my music streaming needs, I learned about a wonderful free service called Songza which is ad-supported like Pandora, but by small visual pop-up ads that do not interfere with my listening pleasure.  While I don’t have the ability to download music or sync playlists – or even to play any of the music on-demand – Songza excels at helping me discover new artists with its “Playlists by Music Experts.”  It also has a couple of little extras going for it.  One of these is their “Concierge” option which helps me choose playlists by activity or mood, both of which change depending on time of day.  So when I open up Songza I am greeted with something like this: “It’s Thursday evening. Play music for: Cooking, Working (No Lyrics), Working Out, Playing Video Games, Unwinding or Driving.”  Click on an activity and Songza will then ask which category of music I want to focus on (Easy Listening R&B or Stylish & Eclectic Mixes sound good).  Pick a playlist and I’m off.  Another thing I stumbled across today was a station that had been created by Pencils of Promise called Today’s Studytime PoP Hits.  The description stated that for every person who listened to the playlist, Songza would donate 10 cents to Pencils of Promise with a goal to build two new schools!  Songza is a free service and they’re helping charities; how sweet is that?!?  For my quick music fix needs, Songza has proven to be stellar and I’ve already discovered several artists I want to add to my stations on Slacker and Spotify for more in-depth listening.

So I’ve found a formula that currently works for me, but if anyone ever comes out with a service that covers all my bullet-points in one program I’d be in heaven.  How about you?  Do you use any of these services, or have you found something else that fits your music streaming needs?

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